Sali Bytyçi, The Poet –Who Looks for The Symbol of Spirit’s Written in Verse

Ermelinda Kashahu


The human imagination of this author sends me far, very far, in the war of Troy, where a simple warrior, Thersites, while speaking about the real intentions of the chiefs, was hit behind his back by Odysseus in his scepter. This way, Thersites in the Iliad is called because he has been rancorous because he has the admiration of the human generations. The same thing happens here. The model of writer is created which is not only read, but it is devoured like none else. The literary aspect, ideologically and emotionally, conducts to me these changes, in times of changes and different expectations which are reflected in poetry, which despite being censored to a certain extent; it still exhibits ideas, emotions and artistic values. The author exploits an obvious number, rare words, with instruments of distinguishing stylistic colorations, of thoughts and feelings, because he uses language with an extraordinary accuracy, for example: in the poem entitled: “When they punish the poet”, we meet the expression of the strengthened role, rhythm and poetic form. Based on the way of the use of linguistic matter, rhythmic building of the verse, kinds of stanzas, I reinforce my opinion that: the poet is a creator of assigned theoretical knowledge for poetry.

DOI: 10.5901/ajis.2014.v3n4p339

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Academic Journal of Interdisciplinary Studies ISSN 2281 3993(Print) ISSN 2281-4612(Online)

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